In the end, I had to give my Tales of Zestiria obsession a little outlet. Not too much, because the last thing I need is an epic on my hands, but something. I found out I'm pretty rusty when it comes to fan fiction. I also noticed a few other things.
1. It took approximately 0.05 seconds for me to slip right back into the Pairing Fanfic Formula.
2. I hit the same story/characterization triggers every other Zestiria author does, though I didn't know that until I looked at the AO3 archive afterward.
3. Gasp, this... is not actually a bad formula.
I also realized that I open original stories differently, but that's another topic. Short stories - at least as I write them - involve more plot, and therefore need more precise openings... not that I always manage to make that happen.
The formula I default into isn't a bad formula by itself. It has setting, buildup, and payoff, which is why it can be satisfying to read; it can, and often does, have some kind of "emotional turn" that makes the scene feel complete-- like something happened. (I don't recall which writer gave me the phrase "emotional turn," but it has served me well every time I've bothered to use the concept while writing.) It just so happens that in pairing fic these elements are focused on cuddling instead of something else. It's actually not a bad basic structure for individual scenes.
I think this would still be true if the content is entirely fluff. You can still have a transformation of mood and/or emotion in the scene, which satisfies the requirement for "change" in fiction, which I know people loooove to argue with. Stories don't necessarily need conflict! Shit doesn't have to change! It can still be interesting! And I guess that's all true in fan fiction, when a reader might want to just wallow in their obsession with
Which isn't to say I think I should write it all the time. It IS a formula, and if I write ten things according to this formula, they're all going to sound the same, since those ten things will definitely all be pairing fic. Somehow this doesn't happen if I use it for the basis of my scene structure in a longer story, because there are other things happening (and how exactly is a Sorey/Mikleo makeout session not something happening, I mean really) and the formula becomes a vehicle for other elements of craft.
So yeah. I haven't come up with an excuse for #2 (automatically falling into all the cliches) yet. Give me a few more hours for that one.
This entry was originally posted at http://myaru.dreamwidth.org/837564.html. Discuss here or there as you prefer.
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